Our Wonderful Team in Nepal

We are so fortunate to have a wonderful team in Nepal including our finishing staff who pay such amazing attention to detail as they sort and trim the wool fibers to define the patterns in our rugs. This 12 X 25 foot rug is our 4-color Flamestitch design being made for a client of Maggie Nielsen Interiors in Chappaque, New York.

Introducing the Sylvie & Mira Collection

We are thrilled to be introducing a new collection of rugs designed by Lisa Peck called Sylvie & Mira.  During her 20 years in the industry, Lisa has collaborated with a host of people on a variety of projects that span the gamut of style. She is an expert at working within three-dimensional space, identifying hard materials and mixing them with textures and patterns. Her mastery of color has earned her the nickname “Color Queen” around her office. And while there’s no idea too big or detail too small, Lisa understands the importance of protecting her clients from spending time and money on frivolous extras. Perhaps more importantly Lisa has developed lasting relationships with clients and trade professionals along the way. And she has done so in large part because her pull-no-punches approach and inspired designs knock your socks off.

Lisa's design journey has led to the creation of this beautiful new rug collection, hot off the looms in Nepal.  Here are some of the beautiful samples available in a variety of showrooms around the country, including Julie Dasher Rugs.

Abrash in a rug

Abrash in a rug is a striation created by yarns that are dyed in multiple colors which are fairly close in tone.  Abrash shows a beautiful textural effect which can stand alone without any additional pattern in the design.  The abrash technique can be done in heavy, medium or light variations.

Here is a picture of a rug with heavy abrash that we recently created for Sweet Peas Design in Chicago.  Susan Brunstrum, the owner and head designer, at Sweet Peas had done another rug with us using 3 colors in a heavy abrash in the background of the rug with a cream-colored design in the pattern.  This time, her client wanted just the heavy abrash background and no pattern for a highly subtle, textural rug.  This project didn't leave much for me to do as a designer but I am thrilled with how the rug turned out.

Hand-knotted rug being stretched in the finishing stage

Hand-knotted rug being trimmed in the finishing stage